I read a review of Writing Alberta; Building on a Literary Landscape, edited by George Melnyk and Donna Coates ( U of C Press 2017) in AlbertaViews quite recently and it has been on my “to read” list. Essays by or about Alberta authors and their work are always of interest.
Yesterday, I discovered in the Member News in our latest “Westword,” the WGA magazine, that George Melnyk lists some of the authors included. To my great surprise, in a list of authors who I hold in high esteem –Robert Kroetsch, Alice Major, Bernice Halfe, Chris Turner and others– my own name appears.
I have just borrowed a copy of the book from the Calgary Public Library and what an outstanding contribution it is to the Canlit canon as “an overview of Alberta historiography of the past century.”
The authors referenced go as far back as Elsie Park Gowan and Sheila Watson. This book would be on my shelf even if it did not include: “Strategies for Storying the Terrible Truth in John Estacio’s and John Murrell’s Filumena and Betty Jane Hegerat’s The Boy”, by Tamara Palmer Seiler. To say I’m honoured to have my work included in Writing Alberta is understatement and to say I am in awe of Tamara Palmer Seiler’s description of The Boy as “a work of creative non-fiction that draws heavily on metafictional strategies” is understated admiration for the fine critical analysis in this essay.
This is not intended to be a promotion of my work, but rather a statement of my gratitude at having been included in the collection, and also my strong recommendation that you read this book for the landscape of literary identity it provides.
Thank you George Melnyk and Donna Coates as well as the fine essayists and University of Calgary Press for publishing this work. https://press.ucalgary.ca/books/9781552388907