I have no memory of my mom or dad reading to me, but I know that my older sister entertained me well with books. In fact, I remember her telling my dad with great excitement, “Janie can read!” I was about four years old, and no young genius, but after many readings of the same book had the words down pat and always pointed to “the” which was one that I did recognize.
Even then, I chose the prettiest books. Illustrated copies of Beatrix Potter’s books and a tome of a collection of Bible stories for kids with illustrations that verged on the downright terrifying— Joseph sold into slavery, Jesus with a tear-stained face kneeling to pray in the Garden of Gethsemane. Questionable imagery at best, but oh so beautiful on the page. I can still call up the painting of Elijah ascending into heaven in his fiery chariot.
Robert and I did read to our children. We maxed out our limit at the library on occasion, and our bookcases fairly bulged with the strain of the books our kids owned. We not only raised three readers, but can proudly claim a children’s librarian as our own. Among the books I keep hidden so they will not be kidnapped–Brian Wildsmith’s A Christmas Story, A Prairie Alphabet by Yvette Moore and Jo Bannatyne-Cugnet, and The Polar Express by Chris Van Allsburg, this latter one with illustrations dark and almost frighteningly beautiful.
This long preamble to talk about a book that is currently enchanting me. I’ve had the good luck to reconnect with Glen Huser whose Writing for Children course at UBC was the hatchery for my YA book, Odd One Out, which I will be released this spring from Oolichan Books.
I knew of Glen’s books and the fine recognition they garnered before I me him at UBC. A former Edmontonian, Glen taught at the same school as one of my cousins, had been in a writing group with several authors I know, and highly respected in the Edmonton writing community. In fact, I read some of his YA books in preparation for the UBC course: Touch of the Clown; Stitches, which won the Governor General’s literary prize; Skinny Bones and the Wrinkle Queen, nominated for the GG; and the beautiful Grace Lake, written for an older audience.
Through this reunion via email and Glen’s website http://www.glenhuser.com/main/, I’ve found his more recent novels, Runaway, and The Elevator Ghost as well as two stunning works of art, Time for Flowers, Time for Snow, and The Golden Touch.
The book that has me so enchanted now is Time for Flowers, Time for Snow, a retelling of the myth of Demeter and Persephone. In Glen’s words, the book “was the brain child (children?) of a Montreal music director who works with a massed choir of about 200 schoolchildren for the chorus.” Glen has written the narrative and the lyrics to the opera. The music was composed by Giannis Georgantelis who directs the choir of over 180 school children accompanied by the Orchestra Symphonique Pop de Montreal. A CD with both narrative and music is included with the book. Illustrations by Philippe Beha complete this marvelous package. I am awaiting the arrival of the second book in this series, The Golden Touch, a retelling of the King Midas story.
Give your children and yourself these gifts of enchantment by one of Canada’s finest. Seek out Glen Huser’s books. Just a trip to the bookstore or library—they are so close at hand, and so worthy of the quest.